網(wǎng)上有很多關(guān)于服裝店怎么申請安裝pos機(jī),上海這家服裝店設(shè)計真的超治愈的的知識，也有很多人為大家解答關(guān)于服裝店怎么申請安裝pos機(jī)的問題，今天pos機(jī)之家(www.shineka.com)為大家整理了關(guān)于這方面的知識，讓我們一起來看下吧!

本文目錄一覽：

1、服裝店怎么申請安裝pos機(jī)

服裝店怎么申請安裝pos機(jī)

2023年4月29日，位于上海的超大型城市改造項(xiàng)目“蟠龍?zhí)斓亍闭介_業(yè)。TOPOS & MEEM聯(lián)合設(shè)計的MINGSI主力店也在這座都市古鎮(zhèn)中正式對外營業(yè)，并創(chuàng)造了日營業(yè)額破8萬的銷售記錄。

On April 29th, 2023, the mega urban renovation project "Panlong Tiandi" officially opened in Shanghai. MINGSI flagship store, Designed by topOS & MEEM, also opened its doors in this urbanized ancient town, creating a record-breaking daily sale of over RMB 80,000.

室內(nèi)，Interior ? Kelvin Li

室內(nèi)，Interior ? Kelvin Li

MINGSI, Theory of Brand Evolution

品牌主理人Lee在去年初就籌劃在上海青浦的蟠龍?zhí)斓亻_設(shè)門店，這將是一次品牌露出的絕佳機(jī)遇。然而，由于偏遠(yuǎn)的地理位置和嶄新的商業(yè)類型，他同時也非常擔(dān)心業(yè)績，我們開始思考品牌基因在開放式街區(qū)的進(jìn)化形態(tài)。

Lee, the Brand founder, had planned to open a store in Panlong Tiandi since early last year. It was an excellent opportunity for the brand exposure. However, due to its remote location and a new type of commercial complex, he was also concerned about its sales performance. We began to contemplate the evolutionary form of the brand's DNA in open street blocks.

MINGSI是一個不斷挑戰(zhàn)常識的“進(jìn)行時”品牌。如果品牌一致性（Brand Consistency）是一種常識，千店千面則是對常識的挑戰(zhàn)。這是我們與MINGSI合作的第三年：2021年，MINGSI是卡爾維諾書中，一座座看不見的城市；2022年，MINGSI是博爾赫斯筆下，一個個小徑分叉的花園；2023年伊始，源自古典精神的新典雅主義成為MINGSI在后疫情時代的空間宣言。

MINGSI is an ever-evolving "ongoing" brand. If brand consistency is a common sense, then having a unique face for every store challenges that norm. This is our third year of collaboration with MINGSI: in 2021, MINGSI was the invisible cities from Italo Calvino's novels; in 2022, MINGSI was the garden of forking paths from Jorge Luis Borges' tales; and in the beginning of 2023, the neo-formalism originally from the classical spirit in architecture became MINGSI's spatial manifesto in the post-pandemic era.

“在設(shè)計中尋找治愈感（Looking for a sense of healing in design）”是TOPOS & MEEM為MINGSI定義的品牌態(tài)度?；凇皽嘏恢褂诩摇钡钠放苾?nèi)核，我們希望MINGSI HOUSE能夠在不同的時空和場所，營造出似曾相識并具有溫度的詩意場景。

“Looking a sense of healing in design” is the brand attitude defined by TOPOS & MEEM for MINGSI. Based on the brand's core value of “More Than Living”, we aimed to create the sense of déjà vu and poetic scenes in each different time and space through MINGSI HOUSE.

▼看不見的城市，Invisible Cities ? TOPOS DESIGN

▼小徑分岔的花園，the Garden of Forking Paths ? TOPOS DESIGN

▼標(biāo)識設(shè)計，Signage Design ? MEEM DESIGN

Between Roof and Earth

作為上海32個歷史風(fēng)貌保護(hù)區(qū)之一，蟠龍?zhí)斓匾彩巧虾Ｊ着旯ぁ俺侵写濉备脑祉?xiàng)目，歷史可追溯至隋朝。蟠龍?zhí)斓厥俏磥碇甘小?，「市」是城市，也是街市，一種全新的商業(yè)聚落樣本和城市生活形態(tài)。相較位于城區(qū)的傳統(tǒng)商場，面對迥然不同的速度與能量，MINGSI作為商業(yè)聚落的獨(dú)立單元，需要“此刻，可以慢一點(diǎn)”。隔壁既有行業(yè)競品，又有獨(dú)立賣手，柔情似水的江南古鎮(zhèn)暗涌著物競天擇的殘酷商業(yè)法則。

As one of Shanghai's 32 historical conservation areas, Panlong Tiandi is also one of the first completed projects of urban village transformation. Its long history can be traced back to the Sui Dynasty. Panlong Tiandi represents the future "city" with open street blocks, a new type of commercial settlement and urban lifestyle. Compared to traditional malls in the city center, facing different speed and energy, MINGSI needs to take a moment to slow down. With neighboring competitors and independent sellers, the cruel law of business competition lurks in the gentle and watery ambiance of this ancient water town.

基地位于蟠龍?zhí)斓啬鲜械闹鞑叫薪謪^(qū)，這是一片源于水鄉(xiāng)民居類型學(xué)，基于當(dāng)代建造技術(shù)的新建筑群。三面沿街的單層獨(dú)棟，擁有六米挑高的坡屋頂，在水平和垂直維度都擁有得天獨(dú)厚的空間品質(zhì)?！拔蓍苤隆⒋蟮刂稀?，一個具有體積感的鋼筋混凝土盒子，如何填空和留白是破題所在。

The project is located in the main pedestrian street of Panlong Tiandi's south market, a newly constructed building cluster that originated from the typology of water town residences and adopted contemporary construction techniques. The single-story detached buildings along three sides of the street have a six-meter-high sloping roof, providing exceptional spatial qualities in both horizontal and vertical dimensions. "Between Roof and Earth," a volumetric reinforced concrete box, how to fill and empty the blank-leaving became the design clue.

▼項(xiàng)目位置，Site Plan ? TOPOS DESIGN

▼建筑軸測，Isometric Drawings ? TOPOS DESIGN

▼沿街立面，Street Fa?ade ? Kelvin Li

▼窗外夜景，Window Display at Night ? Kelvin Li

首先，我們用光來抽象體量。擁有坡屋頂?shù)那皬d最高點(diǎn)凈高6米，而后場因?yàn)樵O(shè)備平臺的存在卻只有3米的凈高，我們?yōu)槁洳?米的連續(xù)空間提供了不同的剖面設(shè)計與照明系統(tǒng)。

Firstly, we abstracted the volume using light. The top of the lobby with the sloping roof has a net height of 6 meters, while the rear area, due to the equipment platform above the roof, only has a net height of 3 meters. We provided different sectional designs and lighting systems for this continuous space with a 3-meter height difference.

暗藏機(jī)電設(shè)備的坡屋頂天花由8組平行的巨大透光軟膜組成，讓前廳充滿均質(zhì)而柔軟的白晝之光；后場平屋頂天花呈矩陣布置了20個定制水晶吸頂燈，3000K的色溫模擬溫暖的暮色之光。明暗對高低，讓時間平行于空間中。

The sloping roof ceiling, hiding the MEP equipment, consists of eight parallel giant translucent membranes, filling the front lobby with homogeneous and soft daylight. The flat roof ceiling in the rear area features a matrix arrangement of 20 custom-made crystal lights, simulating the warm dusk light with a color temperature of 3000K. The interplay of light and shadow in high and low creates a parallel space-time.

▼前場的坡屋頂天花，F(xiàn)ront Lobby Under Slope Roof Ceiling ? Kelvin Li

▼前場日景，F(xiàn)ront Lobby with Sunlight ? Kelvin Li

▼剖透視圖，Sectional Perspective ? TOPOS DESIGN

▼前場與后場，Lobby and Rear Area ? Kelvin Li

▼后場的平天花，Rear Area with Flat Ceiling? Kelvin Li

▼后場的平天花，Rear Area with Flat Ceiling? Kelvin Li

沿襲西方古典建筑設(shè)計的布扎體系（Beaux-Arts）有一套關(guān)于整體與局部的設(shè)計方法，即parti et poche。其中，parti可以理解為空間類型或范式，poche可以解釋為實(shí)墻內(nèi)的空間和功能。我們從古老的設(shè)計方法中獲取靈感：延續(xù)現(xiàn)狀結(jié)構(gòu)，我們擴(kuò)充了五道墻體為體塊，用柚木包裹導(dǎo)圓角的矩形體，分別容納了4個發(fā)光的衣架，2個膠囊狀的更衣間，以及鑲嵌手工磚的壁龕和儲物間。

Beneath the sloping roof, there sits a huge central wooden table combining storage, cashier, and display, in line with MINGSI's sales strategy of "no cashier." With unconventional dimensions of 5 meters in length and 3 meters in width="360px",height="auto" />

坡屋頂下安置了一個集收納、收銀、展示于一體的巨型中島，源自MINGSI“去收銀臺”的銷售策略。5米長，3米寬的非常規(guī)尺寸，猶如他山之石，陌生卻不突兀的溫潤體塊漂浮在大地之上。由此，承重的墻體消失了，取而代之的是容納功能的柚木體，猶如溫暖而堅實(shí)的島嶼，留白到恰到好處的空間由此流動起來。

Adopting the architectural methodology of parti et poche from the Beaux-Arts tradition, which emphasizes the relationship between the whole and the parts, we expanded the five existing walls into architectural blocks. Rectangular forms wrapped in teak wooden veneer were used to enclose four illuminated clothes-hangers, two capsule-shaped changing rooms, as well as the sink and the storage room finished with handcrafted brown bricks.

▼墻體生成圖解，Diagram of Partitions ? TOPOS DESIGN

▼室內(nèi)軸測圖,Isometric Drawings of Interior ? TOPOS DESIGN

▼細(xì)節(jié)：壁龕與洗手臺，Details：Niche & Sink ? Kelvin Li

▼細(xì)節(jié)：壁龕與洗手臺，Details：Niche & Sink ? Kelvin Li

▼細(xì)節(jié)：柚木衣架，Details：Teakwood Hangers ? Kelvin Li

▼細(xì)節(jié)：試衣鏡，Details：Dressing Mirrors ? Kelvin Li

▼細(xì)節(jié)：衣架與標(biāo)牌，Details：Hanger & Label ? Kelvin Li

▼細(xì)節(jié)：試衣間，Details：Fitting Room ? Kelvin Li

場景制造家

Scenes Maker

“商業(yè)的本質(zhì)是交易，一切的商業(yè)起點(diǎn)是讓消費(fèi)者獲益。消費(fèi)者買我們的而不買其他家的，是因?yàn)樵谖覀冞@里獲益更多?！贝罱ㄇ〉胶锰幍膱鼍埃酥磷寛鼍俺蔀楫a(chǎn)品的一部分，是設(shè)計讓消費(fèi)者獲益的價值所在。TOPOS & MEEM為品牌設(shè)計的三條原則，成為了MINGSI建立視覺與空間體系的底層邏輯：

"The essence of business is transactions, and the starting point of all business is to benefit the consumers. Consumers choose us over others because they gain more from us." Building the proper scenes in supervising design, even making the scenes become the product, is the value of design lies in benefiting consumers. The three principles that TOPOS & MEEM designed for the brand became the logic for establishing the visual and spatial system of MINGSI:

1.城市建筑學(xué)：室內(nèi)空間是城市肌理的內(nèi)膽，我們提供一個與城市公共空間對話的私域空間。

1.Urban Architecture: Interior space is the poché of the urban fabric, providing a private domain that engages with the urban public space.

2.形式即媒體：立面作為面向消費(fèi)者的主界面，我們建造一個品牌至上，宣言式的媒體立面。

2.Form as Media: The facade serves as the primary interface facing consumers, creating a brand-centric, declarative media facade.

3.空間敘事性：空間需要基于品牌的劇本和故事，我們構(gòu)建一個具有傳播記憶點(diǎn)的敘事性空間。

3.Spatial Narrative: Space needs to be built upon the brand's script and story, constructing a narrative space with memorable scenes.

在試運(yùn)營期間，我們設(shè)計團(tuán)隊(duì)邀請攝影師Kelvin到剛竣工的現(xiàn)場拍定妝照，本以為會是空場，沒想到人來人往，熱鬧非凡。店長甚至打趣說：“本來以為試運(yùn)營期沒啥人流，但是出乎意料的是，我們的試衣間不夠用了……”

During the trial operation period, our design team invited photographer Kelvin to the site e just after its completion, expecting an empty place with few costumers. However, there was a bustling crowd. The store manager even said, “We thought there wouldn't be many people during the trial operation period, but unexpectedly, our fitting rooms are not enough...”

夜幕降臨，古鎮(zhèn)靜臥，“屋檐之下、大地之上”的MINGSI HOUSE，沐光而行。

As night falls and the ancient town rests peacefully, MINGSI HOUSE becomes a lighthouse between roof and earth.

門頭夜景,Fa?ade at Night? Kelvin Li

平面布局圖，Plan ? TOPOS DESIGN

項(xiàng)目信息

項(xiàng)目名稱：MINGSI@蟠龍?zhí)斓?/p>

項(xiàng)目地址：中國，上海市，青浦區(qū)

項(xiàng)目面積：150平方米

業(yè)主單位：The Mingsi House

空間設(shè)計：TOPOS DESIGN

視覺設(shè)計：MEEM DESIGN

品牌主理人：陳禮斌

主創(chuàng)設(shè)計師：季浩天

空間設(shè)計團(tuán)隊(duì)：呂杰，張丹嫚，鄭宏婧，林晨

視覺設(shè)計團(tuán)隊(duì)：秀子，陳思雨，吳凌艷

機(jī)電設(shè)計：王必虎

施工單位: 杭州紅豐裝飾工程有限公司

照明供應(yīng)商：集巨照明

道具供應(yīng)商：中擎店裝

建筑攝影：Kelvin Li

設(shè)計時間：2023.02至2023.03

施工時間：2023.03至2023.04

項(xiàng)目主材：柚木貼皮，手工瓷磚，透光膜，微水泥，水洗石

TOPOS DESIGN

TOPOS DESIGN 成立于2015年，由一群不同專業(yè)背景，相同價值觀的建筑師與設(shè)計師創(chuàng)立。我們不拘泥于設(shè)計的尺度或類型，我們關(guān)心生活的具體，而非概念的虛構(gòu)。我們不執(zhí)著于過度的設(shè)計，而嘗試以更優(yōu)雅和恰當(dāng)?shù)脑O(shè)計介入城市更新的空間敘事中。我們相信，現(xiàn)實(shí)世界只有一個，而設(shè)計能提供無窮的想象力。

以上就是關(guān)于服裝店怎么申請安裝pos機(jī),上海這家服裝店設(shè)計真的超治愈的的知識，后面我們會繼續(xù)為大家整理關(guān)于服裝店怎么申請安裝pos機(jī)的知識，希望能夠幫助到大家！